Chapters are organised thematically around the headings Avant-garde aesthetics, Re-sounding soundtracks, Televisual intertexts, Interrogating the mainstream, and Personal politics and embodied performance. In this way, the book addresses a cluster of concerns that pertain to audiovisual production, performance and consumption in a variety of present day contexts. The focus of the essays is exclusively contemporary. A thread that runs through the chapters is the recognition of audiovisual performance as a central theoretical category. And yet, very little has been published that recognises its relevance to a wide range of practices, including music videos, film and television music, video art, and gaming music. For several years audiovisual analysis has been a growth area in musicology and cultural studies.
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